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Published by
The Comparative Cognition Society

Volume 12, 2017

Co-Editors: Marcia Spetch, Christopher Sturdy, & Anna Wilkinson

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Volume 12, 2017 Contents
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Note: Two New Article Types to CCBR
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SPECIAL SECTION Animal Music Perception
Guest Editor: Marisa Hoeschele
Preface to the Special Section on Animal Music Perception
Marisa Hoeschele
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ccbr_01-hoeschele_v12-opener.pngAnimal Pitch Perception: Melodies and Harmonies
Marisa Hoeschele
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ccbr_02-patel_v12-openerWhy Doesn’t a Songbird (the European Starling) Use Pitch to Recognize Tone Sequences? The Informational Independence Hypothesis
Aniruddh D. Patel
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ccbr_03-toro_v12-openerConsonance Processing in the Absence of Relevant Experience: Evidence from Nonhuman Animals
Juan M. Toro, Paola Crespo-Bojorque
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ccbr_04-cook_v12-openerMusic Perception in a Comparative Context: Relational Chord Perception by Pigeons
Robert G. Cook
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Articles

ccbr_05-beran_v12-openerTo Err Is (Not Only) Human: Fallibility as a Window Into Primate Cognition
Michael J. Beran
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ccbr_06-mcmillan_v12-openerIt’s All a Matter of Time: Interval Timing and Competition for Stimulus Control
Neil McMillan, Marcia L. Spetch, Christopher B. Sturdy, and William A. Roberts
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