Category Archives for Volume 12
Volume 12: Note
Note: Two New Article Types to CCBR Co-Editors: Marcia L. Spetch Department of Psychology, University of Alberta Anna Wilkinson School of Life Sciences, Joseph Banks Laboratories, University of Lincoln Reading Options: Continue reading below, or: Read/Download PDF | Add to … Continue reading
Volume 12: pp. 83–103
It’s All a Matter of Time: Interval Timing and Competition for Stimulus Control Neil McMillan Department of Psychology, University of Alberta Department of Psychology, University of Western Ontario Marcia L. Spetch Department of Psychology, University of Alberta Christopher B. Sturdy … Continue reading
Volume 12: pp. 57–82
To Err Is (Not Only) Human: Fallibility as a Window Into Primate Cognition Michael J. Beran Georgia State University Reading Options: Continue reading below, or: Read/Download PDF | Add to Endnote Abstract Human cognition affords our species an excellent toolbox … Continue reading
Volume 12: pp. 45–56
Music Perception in a Comparative Context: Relational Chord Perception by Pigeons Robert G. Cook Tufts University Reading Options: Continue reading below, or: Read/Download PDF | Add to Endnote Abstract Evidence of human creativity and artistic expression goes back more than … Continue reading
Volume 12: 33–44
Consonance Processing in the Absence of Relevant Experience: Evidence from Nonhuman Animals Juan M. Toro ICREA Universitat Pompeu Fabra Paola Crespo-Bojorque Universitat Pompeu Fabra Reading Options: Continue reading below, or: Read/Download PDF | Add to Endnote Abstract Consonance is a … Continue reading
Volume 12: 19–32
Why Doesn’t a Songbird (the European Starling) Use Pitch to Recognize Tone Sequences? The Informational Independence Hypothesis Aniruddh D. Patel Tufts University Azrieli Program in Brain, Mind, & Consciousness, Canadian Institute for Advanced Research (CIFAR) Reading Options: Continue reading below, … Continue reading
Volume 12: pp. 5–18
Animal Pitch Perception: Melodies and Harmonies Marisa Hoeschele University of Vienna Reading Options: Continue reading below, or: Read/Download PDF | Add to Endnote Abstract Pitch is a percept of sound that is based in part on fundamental frequency. Although pitch … Continue reading
Volume 12: pp. 1–4
Preface to the Special Section on Animal Music Perception Marisa Hoeschele University of Vienna Reading Options: Continue reading below, or: Read/Download PDF | Add to Endnote Author Note: Marisa Hoeschele, Department of Cognitive Biology, University of Vienna, Vienna, Austria. Correspondence … Continue reading